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This "quickstart" guide for the RADAR V audio recorder will flatten the learning curve and serve as essential reference for all users. This guide is not designed as a replacement for the official manuals (available from the manufacturer, iZ Technology). Note that this refers to the 2007 iZ RADAR V Nyquist with system 3.42. Older models in the RADAR family (RADAR I, II, 24 and the Otari version) are slightly different than Silent Way's RADAR V units, but most of this will still apply. |
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Transferring a RADAR project to another system is easy once it is set up, and there are a few methods to choose from. RADAR records directly to industry-standard Broadcast WAV audio files (v 3.35/Jan 2005 and higher). Here are a few ways to transfer those BWAVs from RADAR's hard drives to Pro Tools or any other Digital Audio Workstation (DAW). Methods C and D below refer to a Mac OS X system; For PC networking, see this document.
This first method is still in the final stages of being implemented (as of 1/2009). Once it is official, it will beat all other methods hands-down. A new eSATA port can be installed in the front of your RADAR. You can then record directly onto that drive. And, use RADAR's dual disk mode (only on Adrenaline Plus RADARs) to record simultaneously to an eSATA drive and an internal RADAR SATA drive for instant backup. Unplug the eSATA drive and hand it off. You're done! Contact iZ to get the eSATA port installed in your RADAR. Note that RADARs with two SATA drive bays will lose the use of one bay if the new eSATA port is installed. Read more about the awesome eSATA (External SATA, or External Serial Advanced Technology Attachment) here and here.
RADAR uses SATA drives (or SCSI in older units) in removable DE110 carriers, which can be mounted in an appropriate carrier receiver bay. RADAR's "Project Flattening" makes the hard drive (and BWAV audio) readable by any Mac/PC/Linux. Flattening was introduced in software version 3.35. This is a quick method for a one-way handoff such as a rental or live recording. The best way to achieve this is to use the CRU-DataPort MoveDock DE110. A short step by step:
It is critical to note that if you make any changes to this RADAR drive when it is mounted on your computer, you will actually LOSE your data! More details on this are in page 88 of the pdf manual (p 80 of the printed version). Without the MoveDock, the main drawback to this method is price. RADAR's drives are significantly more expensive than other external drives, and must be purchased directly from iZ or a dealer. Unless you buy a new drive for every project, are working in-house, or can get the RADAR drive back easily, it's better to transfer to another drive. Also, a project transferred this way can't be reloaded back into RADAR without extra steps (bouncing, transferring, and importing). This won't affect you if it's a one-way handoff. For example, a RADAR live recording that will be mixed in Pro Tools. If you need to return to RADAR, use one of the methods below.
These are instructions for backing up a RADAR project to an external hard drive connected to a Mac. For PC networking, see this document. This method uses RADAR's FTP client to connect to Mac OS X's built-in FTP server over Ethernet. As of 1/2008, this is Silent Way's recommended method for most situations. Instructions may vary slightly if you are not using OS X v 10.4. RADAR's FTP Client is only available in RADAR software versions 3.38 and up (all Silent Way RADARs are 3.42+ as of 1/2008). Recent RADARs have Gigabit Ethernet aka 1000baseT (older models have 100baseT). Pre-Backup planning: • You'll need an external hard drive connected to your Mac. This is a better option than using your Mac's internal drive. Mac FTP Setup:
Mac FTP Server Setup:
[ Silent Way's RADAR FTP client and server settings are preconfigured so this next section is only needed for other RADARs. ] RADAR FTP Client Setup (For connecting to an outside computer from within RADAR):
Backing up projects via FTP:
After the first time, some of the above steps will be skipped, such as login/password. Looking up your Mac FTP Sever Username and Password:
Another method is to use an OS X FTP app. For PC networking, see this document. The audio is transferring in the same direction as Method C (RADAR-->Mac), but is initiated via an OS X application rather than RADAR's FTP interface. This is limited and more difficult than Method C for a few reasons. First, you can't just pull the audio off of RADAR without performing some prep steps on RADAR first. You'll need to backup to RADAR's internal D:Archive drive before accessing that backup via an OS X FTP client. Also, OS X does not come with a FTP client app. Great third-party Mac FTP apps are available: the $30 Transmit by Panic, free FileZilla, free Classic FTP or free Fire FTP Firefox plugin. RADAR FTP Server Setup (for connecting to RADAR's FTP server from a Mac FTP client app):
Transferring via an OS X FTP client application and RADAR's FTP server:
1) File Name FormatYou have complete control over what info is put into filenames, at this menu: PREFERENCES/FILE PREFS/FILE NAME FORMAT. My favorite is "TRK-REGION-NAME". This creates files such as T01-0001-Kick.WAV, T02-0001-Snare.WAV etc. 2) Renaming files from 25+ track projects when backed up from just one RADARWhen you've got a 48-track (or more) RADAR system, backing up is the same as always, except that you need to do each RADAR (24 tracks) separately. When two or more RADARs are linked, the backup from the extra machines automatically names the audio files according to their track number. But what if you only have one RADAR machine to do your backup? Currently RADAR treats each backup as tracks 01-24. There's no way to have RADAR consider the drive with tracks 25-48 as anything other than tracks 01-24. So upon Backup/Export, BWAV files for tracks 25-48 are numbered 01-24. Here's a quick fix : Get the utility "A Better Finder Rename", available for Mac or PC, which renames batches of files by many criteria. (There are more apps listed in the comments of this story.) In this case, I used ABFR's function "Change existing sequence numbers," to add 24 to each filename's number. It works like a charm. The settings look like this:
In older versions of ABFR it's "Change numbers":
Coming soon, details on:
For further reference, see izcorp.com. |
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